Dat LISA AND THE DEVIL zelden tot de belangrijke werken van Bava wordt gerekend is niet verwonderlijk, aangezien de film nauwelijks in zijn originele vorm te zien is geweest. SYNOPSIS: Lisa is a tourist in an ancient city. Stripped of the tacked-on possession scenes and Robert Alda's priest role, the movie reveals itself to be a superior, atmospheric and stylish "nightmare on celluloid" movie. Two trailers for The House of Exorcism in all their hokey glory are featured, as is an interesting look at the unfinished music-only trailer for English-speaking audiences. This is one of the first films I ever saw that relied on visual narrative instead of a solid script to make its point, and even at an early age this really held my interest. English and Italian tracks are very similar, quite boxy, and have lots of audible hiss. I think it's cool that you get two great tastes out of one film. It stars Elke Sommer (Lisa), Telly Savalas (Leandro), Sylvia Koscina (Sophia), Alessio Ornano (Max), Alida Valli (Countess), Gabriele Tinti (George), Eduardo Fajardo (Francis) and Espartaco Santoni (Carlos). Lisa and the Devil makes me think of Susperia. Of course, the argument could also be made that this film suffers from slow pacing and a telegraphed conclusion, but I still think the movie is gorgeous, and Elke Sommer is a delight. Savallas is having a field day reprising Blofeld and introducing us to the lollipop munching Savallas we know from TV. The plot follows the story of Lisa, a young lady that gets lost in an ancient city in Spain. Horror, fantasy and science fiction: movie, tv, book reviews and more. When the unexpected death of George occurs, the group is rocked in fear. "Lisa and the Devil" follows a woman touring Spain who wanders from her tour group; she becomes transfixed by a portrait of the devil in a fresco, and begins to lose sense of herself, time, and space as she seems to enter a waking nightmare. The cast are all good, but Telly Savalas gives a standout performance just on the right side of over the top, and Elke Sommer appears much more believable as the confused protagonist of this movie, rather than the unconvincing Linda Blair wanna-be of 'House Of Exorcism'. These two were made for each other. These were pretty strong and blasphemous so both Bava and Sommer did not participate which clearly shows in the film. Rating: As someone who frequents horror film discussions around the Internet, I’ve seen the term “elevated horror” crop up from time to time. while Lisa was liked by the distributors they understood it was not commercially viable as a general audience film so they passed on it. Incidentally, though the script is attributed to the elder Bava and producer Alfred Leone on foreign prints (as a matter of fact, throughout my ongoing Bava centenary tribute, it has been a constant irritation to find English credits on Italian-language editions of his pictures! And, his use of the fish-eye lens is astounding. I'm going to skip most of the usual review info on Lisa and the Devil to concentrate on this idea. Lisa and the Devil is supplied with English and Italian LPCM 2.0 mono (48kHz/16-bit) tracks while The House of Exorcism has only the English LPCM 2.0 mono (48kHz/16-bit) track. Bava of course was upset that this had happened to his most personal work but in the end he privately told Leone that considering the circumstances he approved of the film after he had time to calm down and look at it objectively. Basically, this is a little short on coherent narrative flow whilst the spouting of the lady of the house and her son suggest something going on of which we are not aware. The part of these dolls and Leandro are as inexplicable as terrifyingly eerie. Lisa and the Devil is available to stream online on Shudder UK, as part of a £4.99 monthly subscription, or £49.99 yearly membership. Let me re-phrase that: It's pretty obvious before the beginning; I already knew who was who and who wanted everybody's souls when I read the box of the videotape! Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. In fact, I think those sheer curtains with the appliqués that hang around the 4 poster bed were later used in Susperia. Yes, the pea soup scene is duplicated as is the thrashing, floating, and demonic vocal styles. The tale of Lisa's confusion, and of having her very reality turned inside out, is fascinating. The film doesn't quite add up to a movie which is mainly because it is actually Bava's Lisa and the devil and additional scenes shot by the producer. The movie is visually very impressive and despite of the flaws and inconsistencies in the ambiguous screenplay, it startles many times. Talking about blasphemy! of course in the end it all comes full circle and the devil reclaims her and this is when you find out that she really is Elanor because the devil speaks her name. Your guide to horror with movie, tv and book reviews and more. Still, horror fans might enjoy watching this crud just for kicks.
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